Neck and Neck

I'm (happily) busy with some cool projects, so this Bizarro post will be brief. Today's comic is a zoological spin on a phrase my parents used regularly.

I'm fairly certain that my mother often wished for longer arms to express the extent of her fed-uppedness with me.

My submission sketch showed a wider view of the giraffe family. Dan chose to crop it in closer, but used my text unedited.

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Yesterday I had the pleasure of speaking to a group of illustration students and faculty members at the Art Institute of Pittsburgh. They were kind enough to invite me to discuss my work (including my collaborations with Dan) and some of my interests and influences. Thanks to Mark Bender for getting the ball rolling on that.

Bizarro Five-O

Today's Bizarro marks my 50th appearance in Dan Piraro's terrific comic. It's as thrilling as ever to see something I've written published in this space.

Here's my submission sketch, which Dan ran with for the final cartoon:

The inspiration for this joke came from a suggestion I received from my buddy Joel:

I was at a meeting this morning, and someone swatted a fly on the table. Then he picked it up by the legs, walked over to the trash bins, and looked back at us and said “this is recyclable, right?”

Jokes about reincarnation followed.

There has to be a good one in there somewhere. The rest is up to you.

After chewing on it for a while, I hit on the idea of a center where souls are sorted according to the beliefs of their earthly owners. The most time-consuming part of this was researching the dogma of various faiths.

Thanks for the fodder, Joel.

Big, goopy thanks to Dan Piraro for working with me over the past couple of years, and continuing to do so. 

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All of my earlier collaborations with Dan are archived here. The very first one was published on April 3, 2009. 

Another new one will appear tomorrow, with three more following over the next week or so.

Whatchamacallit

What the Heck is a Streptonym?

It has nothing to do with germs...

One of my recent gags for Dan Piraro's comic Bizarro was based on a form of wordplay where two phrases are linked by a common word to form a new, surprising combination:

Last month, Dan did another comic using this same device, linking three famous names to create a rather frightening imaginary creature:

I quite like both comics, and have encountered (and used) the same form of wordplay many times. I wondered what it might be called, and was unable to find a satisfying answer. It's not a pun, a spoonerism, or a malapropism. What is it exactly?

Jeopardy uses it in a category they call "Before & After." While descriptive, I find the name to be lacking elegance. The Website wordnik calls these constructions "sweet tooth fairies." This also feels flat, as it simply uses an example of a thing to name the thing.

So, I've come up with my own name for a sequential mashup of unrelated phrases: streptonym. 

This neologism combines the Greek prefix strepto-, which means "bent," "twisted," or "resembling a twisted chain," with the suffix -onym, meaning "name" or "word" (also from the Greek). In addition to describing the technique, it utilizes it, with the common letter o as the linkage point. Taking a small liberty with the definition of "twisted," a good streptonym should also have a humorous twist.

Initially, I used the plural form, as the term refers to a series of words, but now I prefer the singular (streptonym) to refer to the chain of words as a unit.

I could find no earlier occurrences of the word streptonym online, so—at least for now—I'm claiming it as my creation. Are you listening, Oxford Dictionaries?

Swipe Now

Here's a gag I wrote for Hilary Price's Rhymes With Orange:

(Click to Enlarge)

My submission sketch included several additional characters and two gumball machines:

Hilary chose to delete the other characters, the coin-operated machine, and the text. She depicts one forlorn kid, coin in hand, staring in disbelief at the plastic-only gumball machine. Removing the clutter adds a sense of pathos and isolation, giving the joke more depth. 

My version is visually denser, but the joke itself is less complex: everybody's happy here. Hilary's drawing introduces conflict — the poor kid has no place to go for his treat. It's a nice refinement. 

Plus, a single character is easier to draw than a crowd, and any artist can appreciate that.

This is my second collaboration with Hilary. We currently have one more in the can, and are working on more for the future.

Next Friday and Saturday (August 12 and 13), I'll have back-to-back gags in Dan Piraro's Bizarro. Friday's spot will be my 50th Bizarro appearance. Congratulatory notes (particularly large denominations) will be gratefully accepted.

Plastics

Today's Bizarro gag, written by yours truly, spoofs an iconic scene from Mike Nichols' 1967 film The Graduate:

Dan Piraro's final art is nearly identical to my sketch...

 

...which was designed to ape the original movie poster.

 

The image of Dustin Hoffman, dwarfed by Anne Bancroft's leg^* in the foreground, along with the dialog, has become such a part of pop culture's DNA, that most people would get the reference even if they'd never seen the movie. A mere passing familiarity might even make the joke work better, since we fudged the wording a little. The actual line is "Mrs. Robinson, you're trying to seduce me." Our line is close enough to trigger recognition, similar to Woody Allen's use of the title "Play It Again, Sam," although that line was never actually spoken in Casablanca. Since the name of the character (changed from "Robinson" to "Butterworth") is the kernel of the gag, moving it until the end of the sentence makes it more effective by delaying the payoff for a beat. You might call it tantric humor. 

"Butterworth" also has the name number of syllables as "Robinson," so the rhythm of the line is maintained, which reinforces the gag. A one- or two-syllable name just wouldn't work.

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The idea for this cartoon began with free-association. I was playing around with the names of teams and couples, trying to find a variation that worked as a joke, but nothing really came of it.

Thinking about Simon & Garfunkel gave me the idea of referencing The Graduate. I jotted down the title, abandoned that line of thought, and closed my sketchbook.

A couple days after I scribbled those notes, Dan Piraro himself visited Pittsburgh to do a comedy show, and spent some time here in town. On our way to meet a group for dinner, we spotted a mascot for the Waffle Shop on the street and took advantage of the chance encounter to snap a couple of photos:

The next day, after sketching the waffle guy in my book, I glanced at the facing page, with the list of names and titles shown above. I added a foreground figure and a talk bubble, producing this rather ridiculous scene:

We both got a laugh out of this, remembering our encounter with Waffle Boy the night before. 

A week or so later, I looked at the sketch again. I was pleased with the rhythm of the dialog, but decided that the image was too silly and obscure for publication. I reworked it as the June 20 sketch, which closely follows the well-known movie still. This contained just a bit of oddness: a stack of pancakes in the foreground, and Hoffman's character dressed in chef's whites.

As you may recall, I've been doing the coloring for the Monday through Saturday Bizarro comics for several months now. I'm particularly happy with the moody colors and shadows in today's panel. The original movie image was inspiring, and got me wondering if Mike Nichols' set decorator tried out multiple sconces and candles to find a set that cast the perfectly phallic shadow in that scene.

My previous collaborations with the great Dan Piraro can be viewed in the blog archive. The next one (number 50!) will appear on Friday, August 12, but before that, I'll have a new one in Hilary Price's Rhymes With Orange.

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^*Wouldn't Anne Bancroft's Leg would be a great name for a band?

Un Fumetto Controverso

Today's contentious Bizarro comic, the latest to feature one of my gags, exploits the potentially confusing result of foreign words entering the language.

There's not a lot to discuss regarding the structure of this joke. It's quite straightforward and satisfying, even if it does make me hungry. Dan Piraro's finished art is very similar to my sketch, although he refined it by deleting the caption at the bottom:

 

Mister Piraro and I are both of Italian descent, but we agreed that (in addition to giving the joke more punch) removing the caption might prevent negative responses to perceived insensitivity. As I recall it, Dan opened the conversation by saying,"Mediterranean, please!"

One could possibly read it as a comment on the way people can become agitated about things they don't understand, or the creation of bogus issues designed to distract an uneducated populace, but I really wasn't thinking that deeply at the time. However, if someone makes that case in a term paper, I'll certainly take credit for it.

Another food-related gag will appear next Friday.

My earlier collaborations with Dan can be viewed in the blog archive. We're approaching a bit of a milestone appearance, and of course I'll make a big deal out of that.

In other news, after a gap of a few months, I have more gags are coming up in Hilary Price's comic, Rhymes With Orange, and I'm working on a PowerPoint presentation for an appearance as guest lecturer in an illustration class at the Art Institute of Pittsburgh. I've been assured that tuition is non-refundable.

Entomological Mortality & Simian Positivism

I'm pleased to post my two most recent collaborations with my good pal Dan Piraro.

Today's offering revisits a theme I explored in a Sunday page during my stint as guest cartoonist in May.

 

Before developing the Insect Heaven cartoon, I'd sketched an elderly fly being visited by a Grim Reaper who carried a flyswatter in place of the usual scythe. It was a funny image, but not yet fully satisfying as a gag. 

I then added the fly's fatalistic comment, and we both liked it enough to put it in the "keeper" file.

Riffing like old-school jazz musicians (at least in our own minds), we developed postmortem jokes for about a dozen other bugs, and used five of them for the Sunday spot, setting this one aside for future use as a standalone gag.

As I've mentioned before, some newspapers run Bizarro in a comic-strip sized space, which requires an additional composition every day. I was particularly happy with the way this one turned out when tweaked for the "landscape" format:

Dan's art took on a wonderfully somber and ominous tone in this configuration.

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 Last Sunday's panel gives an upbeat twist to an iconic image.

In our version, the three monkeys focus on what they can do, rather than dwelling on the negative. Inspirational, isn't it?

Here's the sketch I submitted to Dan a few months back:

I came up with this spin after seeing an earlier strip that Dan had published in September. Here's his story about this circular brainstorming session.

As always, you can see our earlier joint efforts right here on the blog.

Please do stay tuned for more (occasionally gruesome) hilarity.

All You Can Eat

My latest Bizarro gag involves an infinite beef loop:

 

Many of us have had similar thoughts when presented with a ridiculously oversized portion at a restaurant, but for this poor guy it's mathematically true.

I quite enjoy this type of wordplay, where unrelated phrases are chained together using a shared word. Many years ago, I collaborated on an ABC book whose title (Alphabet Soup Kitchen) employs the same linguistic trick. Certainly there must be a name for this device, but I've yet to find it. It's not a pun, spoonerism, or malapropism. What is it called? Scholars of English are encouraged to comment, particularly those who have names like Johnny Carson Daly or who once played in a band called Frijid Pink Floyd.

For comparison, here's my original concept sketch, which now looks a little like a self-portrait:

My next collaboration with my good friend Dan Piraro will appear on Sunday, June 26. Our previous joint works can be viewed in this blog's Bizarro archive.

iPhone, therefore iAm

Today's Bizarro gag tweaks our culture's obsession with having the latest technology, even if we're not sure what the upgrade is. (I include myself in that group, by the way.)

Here's the published cartoon, followed by the rough version from my sketchbook:

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The joke itself is very simple, similar to the fictional musician Nigel Tufnel having an amplifier made with a volume knob that goes to eleven, because "It's one louder."

My friend Michael "Zombo" Devine, a musician, artist, DJ, and all-around swell guy, once joked on his radio show that a particularly low-fidelity recording sounded "like an mp2." that joke turned out to be fact-based, as there actually is an audio format called mp2, which is indeed of lower quality than an mp3.

Other jokes can be built around this "one higher/one lower" premise, but I won't waste any in a blog post, as I might be able to squeeze one into a future cartoon.

In the interest of full disclosure, I must confess that this gag was plucked from an actual conversation, something I've done before. We were at dinner with a friend who is happily un-addicted to constant communication, and only uses his cell phone for calls. Another of our companions tried to talk him into upgrading to an iPhone to which he replied, "Oh, I'm waiting for the jPhone."

My next (original) Bizarro gag will pop up in a week. Until then, I invite you to browse my previous collaborations with the comic's creator, Dan Piraro.

Pork Barrel Gambit

Today's Bizarro cartoon is a variation on the story of the Trojan horse:

The concept sketch is very rough, but gets the idea across. Dan moved the sentries up to the top of the castle wall, which makes more sense, as they're skeptical about the gift.

I must have been inspired in part by the Trojan bunny in Monty Python and the Holy Grail. I'd also recently seen or heard some reference to a Trojan horse, and that inspired me to start casting about for a gag involving some other animal concealing at attacking army.

I decided that a big wooden pig was a pretty funny image. The line about it not looking kosher naturally followed, and plays nicely on the expansion of the word's definition beyond its original religious/dietary meaning. That added the extra "layer" that the joke needed, and there we are!

Our previous collaborations can be viewed in my blog archive.

My next gag will appear on Thursday June 16. Thanks for reading!

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By the way, Dan Piraro's performance at the Rex Theatre last night was killer! Thanks to all who attended.