Showing posts with label pop culture. Show all posts
Showing posts with label pop culture. Show all posts

Saturday, July 26, 2025

If I Had a Plunger

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend Dan Piraro created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno 


On vacation, you can wear all the colorful and casual clothing that you like, but you must always be elegant.
Christian Dior

And when you find a quote on the internet, you can't be sure if the person it's attributed to really said it. Nonetheless, this is a good one. I may not always (or ever) be elegant, but it's a goal.

I was searching for a pithy saying about clothing because the crews at Bizarro Studios and Comics Kingdom will soon offer a new line of Bizarrowear. Dan Piraro and I have been working on several designs that will be available soon.

As a gag-a-day comics feature, Bizarro has no recurring characters to generate action figure or plush toy income. Still, we can offer snazzy wearable art to help make up for the ever-shrinking newspaper biz. We're not complaining, of course! We love doing this job and connecting with our community of comics readers.

Watch this space for news when the new duds are available. Meanwhile, the Comics Kingdom Bizarro Shop still has plenty of booty for your enjoyment.

We generally avoid marketing and solicitation, so thanks for bearing with me today.

Here endeth the commercial.



Bizarro field correspondent Steve D shares today's subtitled pipe pic.



Earlier this year, Steve wrote:
I’ve been watching the original 1966 Ultraman TV show. Wonderfully bad. The head of the monster-fighting team is referred to as “Cap” in the subtitles. I assume they mean “Capt.”
Cap frequently has a pipe in his mouth, but so far, eight episodes in, it’s never been lit. 

I'm guessing that Cap might have used his pipe as a fashion accessory rather than a nicotine delivery system. It certainly gives him an air of authority.

A hearty thank you to our pal Steve for the screen grab.



Today, we feature the second AI Radio week. I haven't run out of hallucinatory musical performers, but I'll give it a rest for a while.


Again, we kicked off with a straightforward gag to set up the concept for the week.
Many years ago, I did a drawing of Jimi Hendrix for a guitar magazine (I forget which one). After it was published, the Art Director contacted me to say that Al Hendrix, Jimi's father, had seen the illustration and inquired about buying the original or a print for the Experience Music Project, now known as the Museum of Pop Culture. I was of course flattered, and honored his request.


The only image I was able to locate recently was this low-resolution one.

Oh, yes, the magazine article was about a symphonic adaptation of some Hendrix songs.

Wednesday's gag was one of my favorites of the week, and had me humming "Midnight Drain to Georgia" for several days.

"It's All Right, Ma (I'm Only Grilling) was on Kabob Dylan's 1965 album, Bringing It All Backyard.

My favorite ZZ Topiary album is Tres Árboles, which was rereleased under the title Tree Hombres.

Everybody sing along: "All the leaves are brown, but fortunately, we don't eat at this stage of our metamorphosis."

That concludes Week Two of our AI Radio hit parade. 

Your regular programming will return on Monday.


Bonus Track

Omnigrad: "Like a Rolling Stone"


Omnigrad is a mysterious performer who has been creating "8-bit" covers of popular songs and posting them on YouTube since 2010.



A Gaggle of Bizarro Goodness

If you like what we do and appreciate that it's free, we encourage you to explore the following links.


   

Saturday, May 11, 2024

Waxing Subterranean

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend Dan Piraro created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno


Detail and texture have a reason for existing beyond just my taste; they flatter wear and erosion. A flat block of concrete looks worse every day it exists. A carved form looks better because the patterns of erosion it undergoes outline the carving.
Brian Eno

I recently began reading A Year With Swollen Appendices: Brian Eno's Diary (1995), and finding it even more enjoyable than I'd anticipated. Eno is one of the smartest and most interesting people in the arts. He's an original thinker adept at writing about his art in an entertaining voice. 

The quote above comes from one of the book's many appendices. In a letter to a friend, Eno expresses his disdain for modern buildings with solid glass exteriors. The erosion analogy resonated with me because I felt a similar antipathy toward digital art around that same time.

By the mid-1990s, I knew I'd have to start using Photoshop for my illustration and comics work, if not to draw and color the art, at least to deliver it electronically. I resisted because I hated the slick digital images I saw everywhere. That first wave of digitally created art was too sterile and "perfect" for my taste—it reminded me of certain over-rendered airbrush illustrations of the 1970s and 80s.

Eventually, I realized that an artist can use Photoshop as a tool without being controlled by it. I could draw traditionally and after scanning the art, I could resize, rearrange, clean up, and color it without eliminating evidence of the human hand. 

I love seeing the natural imperfections (Eno's "detail and texture") in an enlarged scan of a drawing.

I employ a tiny fraction of Photoshop's capabilities in my comics and artwork. If the program is a giant warehouse of tools, I'm getting by with a screwdriver, a ruler, and a utility knife, and I'm usually (relatively) happy with the results. Either way, I know it's my own and not the result of soulless bots scraping and stealing the work of others.


A few weeks back, my middle brother sent me a Fred MacMurray pipe pic, and this week, the youngest of us three sent me a photo he took at an art museum.

He even included this handy information.


Today, I tip my hat to baby brother for spotting this cubist work and sending it my way.




We now present the most recent Bizarro comics, with all imperfections intact.


We kicked off the week with my latest salute to surrealist René Magritte, who inspired the Pipe of Ambiguity.


Tuesday's gag has that "ewe factor."


This was not intentionally timed to coincide with any real-life high-profile criminal proceedings, although a certain case in the news is proving to be a hell of a journey.


Here we segue from self-incrimination to an interesting sort of self-awareness.


The familiar depiction of Aladdin's lamp has always reminded me of a fancy little teapot, and I used that resemblance for a bit of visual misdirection in Friday's gag.


I dig the beat writers and the music they inspired, while also enjoying mass culture's warped reflection of the beat generation, as evidenced by this gag.


The "low ceiling" of the strip layout has an appropriately claustrophobic vibe.


Bonus Track

Tom Waits: "Underground"
From the album Swordfishtrombones
Island Records, 1983



Swordfishtrombones was a turning point for Waits, one of several in his long ongoing career. He began to move beyond the boozy beatnik hipster persona and more conventional style of his earlier records. 

Although the albums that preceded it were rather weird in their own right, the songwriting and arranging became more experimental and idiosyncratic with this release.


More Bizarro for Your Hungry Eyes



  

Saturday, March 16, 2024

Late For the Apocalypse

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend Dan Piraro created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno


 I only take a drink on two occasions—when I'm thirsty and when I'm not.
Brendan Behan

It's the weekend of that annual holiday of public urination and viridescent projectile vomiting.

Since St. Patrick is celebrated for ridding Ireland of "snakes" (code for non-Christians), there's supposedly a church-authorized pause in Lenten sacrifice for believers to get blind drunk in his honor. 

Irish culture is vibrant and involves much more than the frat party that's as close as many people get. That reminds me that I ought to revisit Brendan Behan's autobiographical novel Borstal Boy.

The holiday does, however, provide rich fodder for cartoonists.



Today's pipe pic is taken directly from one of this week's Bizarro panels.


Leprechauns are often depicted smoking inverted clay pipes, and according to a cursory web search, people might do that for several reasons: It's more easily lit in rain and winds, and the rain doesn't extinguish the tobacco. Of course, it would have to be tightly packed.



With that bit of knowledge in our heads, let's check out all six of this week's Bizarro cartoons.



An online expert informed me that the horseman's helmet wasn't "historically accurate." I'm still processing that one.


He's going to need a bigger net.


MacD is on to the workings of the Deep Farm.


Nutrias are notoriously uncooperative witnesses.


This is what happens when people are forced to return to the office.


The tickling sensation is the body absorbing antioxidants.


Pot o' Cartoon Gold

As a break from Lent, here's a feast of Saint Patrick's Day gags from the past, including a couple of old WaynoVision panels.










If you observe the holiday, please celebrate responsibly. I'll be here at home and may partake of a Guinness or two.

See you next week with more shenanigans.



Bonus Track

The Undertones: "Teenage Kicks"
Originally 45 released in 1978 by Good Vibrations Records


Legendary BBC disk jockey John Peel said "Teenage Kicks" was his favorite song of all time. It's a choice that's hard to argue with.


A Whole Lotta Bizarro



  

Saturday, July 22, 2023

Hold the Tea

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend Dan Piraro created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno


Don't reach out all the way to the reader—don't worry about being "obscure" or "ambiguous or "weird”—if you're sure of what you're doing, ask the reader to do a little work and meet you halfway.


Bill Griffith: Griffy's Top 40 on Comics and Their Creation


Bill Griffith is one of the greatest cartoonists of all time. His character Zippy the Pinhead has delighted and baffled readers for more than fifty years, and has been the funniest and unlikeliest syndicated comic strip since 1986.


Along with many of my colleagues, I often consult Bill's top forty rules on comics and their creation. Number 32, quoted above, is one I do my best to honor since Bizarro's readers are generally quite literate and don't need to be talked down to.


Rule Number 40 is another favorite:


Last but not least: never listen to anyone else's advice on cartooning. 

Bill is one of five finalists for the National Cartoonists Society's Reuben Award as 2022's Cartoonist of the Year, and his work is certainly deserving. I'll be attending the Reuben Award Weekend in September, and look forward to congratulating him on his nomination. 


One of my proudest moments at the Reubens was a few years ago when I greeted Bill and he said it was good to see a fellow weirdo.



Today's pipe pic was captured from a TV screen by longtime FoB Steve D.


It's a frame from a 1950 Three Stooges short, Love at First Bite.

Thanks to Steve for the shot. 


Following are this week’s Bizarro gags. Let's review to see if we violated any of Griffy's rules.



Initially, I had some difficulty laying out Monday's panel. I couldn't find a way to show the "tails" of the word balloons without crowding the frame and placing some of them behind others. I finally decided to drop them, which worked out fine in this comic, since the bots are all speaking at once, and the kid isn't paying attention.



In the strip configuration, I overlapped some balloons and deleted the edges where they intersected, following Griffy's Rule Number 12 (There should always be a decent amount of "air" surrounding the lettering in speech or thought balloons.)


This gag wasn't meant to say anything about Charles Schulz other than the fact that his name is almost always misspelled. We've all seen comments like, "I love Charles Schultz! I'm his biggest fan!"

I deliberately drew the character to look nothing like Schulz.

Most of the responses I received were from people who got the point, but I also saw this reaction online:

Charles Schulz did not need to deal with the Devil to get where he got.

That came as a surprise, although I suppose it shouldn't have.

The original art for this gag, along with a print of the color panel, will soon be on its way to the Charles Schulz Museum in Santa Rosa, California. The Museum already has several other Bizarro originals, by both Dan and myself.

The Museum's Collections Manager wrote to me about the gag, saying, "Our Curator is now thinking we have to do an exhibit titled There is No 'T' in Schulz! It is something the museum deals with daily!"


I wish I'd done this myself.


Here, we address another burning tech question. Most respondents agreed that the "thumbs up" emoji can effectively end a long text conversation on a cordial note. 


It's heartening to see interspecies cooperation as animals adapt to the ever-expanding human population.


Some would be grateful if that's the worst that houseguests did.


This one also required a little creativity with the word balloon in the strip layout. I usually try not to show a character between others doing the speaking, but blew it on this one. Fortunately, it worked out all right, with the tail clearly indicating who's talking.


Thank you for checking in with us. Your comments are always welcome. See you again next week.



Bonus Track

Tony Bennett with Bob & Doug McKenzie
SCTV Season 1, Episode 19
"The Great White North Palace"
Originally aired on April 16, 1982



Tony Bennett died a few days ago at age 96. We were fortunate enough to hear him perform live a couple of times, and I wanted to remember him in this week's blog.


One of my favorite moments on SCTV was this coda to the 1982 episode "The Great White North Palace." Bennett's conversation with Bob & Doug McKenzie (after their big-budget TV special flopped), and his stripped-down version of "The Best is Yet to Come" is funny, sad, sweet, and uplifting. 

 

I was happy to find the clip online, despite its poor quality.