Saturday, February 01, 2025

The Power of Uncertainty

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend Dan Piraro created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno


Uncertainty is the essential, inevitable, and all-pervasive companion to your desire to make art. And tolerance for uncertainty is the prerequisite to succeeding.
David Bayles, Art & Fear


I haven't read David Bayles's book Art & Fear: Observations on the Perils (and Rewards) of Artmaking, so I can't comment on it as a whole, but the quote will make sense to artists of all stripes.

People who are supremely confident in everything they do are not to be trusted. Because they never question themselves, they are incapable of or unwilling to imagine that they're ever less than perfect. Examples abound in many areas, but I'll limit myself to the river in which I swim. 

Anyone with an urge to create ought to know that all artists experience the feelings of uncertainty Bayles describes. It's helpful to remember this if you've ever said that you can't draw a straight line (or boil water, whistle a tune, etc.) 

Not everything you make will be perfect, but if you practice any art repeatedly, you're likely to improve, whether or not you ever reach a professional level. 

Creating something, even if no one ever sees or hears it, is an act of self-care and is good for one's overall well-being.

In other words, Have fun making something. You'll feel better when you're done!



I have no uncertainty regarding this week's pipe pic, brought to us by Bizarro reader Jeff W.


Jeff writes:
My wife has an online resale business. One item she acquired last year at an estate sale was this snowman statue. I waited until the weather was more fitting before I shared it with you. The snowman's mixed feelings expression was very fun, along with the mini snowman smoking a full-size pipe.
The character's face does indeed send mixed messages; it's half benevolent and half threatening. Jeff sent the photo in December, but I had so many pictures in the queue that it's only appearing now. But we're still in the winter season, and it's such a fun image it would be appropriate at any time of year.

A tip of the Bizarro headgear to Jeff for recognizing this knickknack as a worthy pipe pic candidate.



Following are the most recent examples of my uncertainty being conquered by the desire to create art—or at least the desire not to miss a deadline.


Any resemblance to an actual cartoonist is purely noncoincidental.



I reversed the layout to fit all of the text (and most of the art) into the strip configuration, although I had to tuck part of the word balloon behind the seatback.

Shortly after drawing this gag, my trusty old task light fell apart. Finding a replacement was time-consuming (and expensive), but I'm back in business and don't have to work by candlelight.



Tuesday's gag salutes frontline art warriors. These brave souls load up their cars and travel to conventions, fairs, shopping malls, and other places to display their work to the public week after week. It's exhausting and sometimes thankless, and I admire everyone who does it.


I've "tabled" many times but rarely do it now. Several years ago, I shared a space with three colleagues at a local comics expo. One attendee breathlessly made the rounds, asking every exhibitor if they were giving anything away for free. After scooping up whatever tchotchkes we had hoped might attract paying customers, he proclaimed, "I just love to support local artists," and scurried away to find his next victims. 



I slipped a reference to my cartoonist hero Virgil Partch into the display of prints based on this 1964 "Big George" panel. Several Bizarro Secret Symbols also appear among our fictional artist's wares.



I hope I didn't accidentally draw an actual Transformers toy here. Does the franchise include an annoyance bot?



The strip version is unconventional, with the word balloons separating the characters, but it works well enough.


Not every 19th-century prospector hopped around cackling, "Gold! Gold!"

Subscribers to my newsletter saw a preview of this gag in November. I temporarily removed the text to see how it worked as a standalone composition. Perhaps this version will someday appear in a Bizarro coloring book.

Friday's panel shows an artist having an audience with the Poblano.

The drawing is based on a painting of Michelangelo and Pope Julius II by Anastasio Fontebuoni (1571-1626) for no reason other than my compulsion to research this sort of thing.

We closed out the week and began February with a silly visual pun. Hey, if an hourglass is a thing, why not an hourmug?
 


Bonus Viewing

Marianne Faithfull: "Broken English"
From the Broken English LP
Island Records, 1979


The other day, news broke of Marianne Faitfull's death at the age of 78. Broken English, her 1979 comeback album, departed from her earlier recordings. A hard life had changed her voice from light and breathy to deep, dark, and ragged. With its pulsing electronic backing punctuated by sparse guitar stings, the title song was shocking and powerful. The entire album stands up 46 years later, including a haunting cover of John Lennon's "Working Class Hero."


A Big Buncha Bizarro

If you like what we do and appreciate that it's free of charge, we encourage you to explore the following links.

Copyright© 2025 by Wayno®   

Saturday, January 25, 2025

Luck and Persistence

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend Dan Piraro created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno


In all my work, the writing as well, I try to make it look as if it just appeared seamlessly on the page. That it wasn’t even crafted. It just happened. That’s what I was looking for. Eventually, if it’s on your mind, you stumble on it. You need a certain amount of luck and persistence.
Jules Feiffer (1929-2025)

It's been a rough month for losing artistic heroes. The last couple of weeks brought news of the passing of filmmaker David Lynch, musician Garth Hudson, and the great cartoonist Jules Feiffer.

In addition to working as a cartoonist, Feiffer was an author, playwright, screenwriter, and educator. His brilliant comic strip Feiffer ran in The Village Voice from 1956 to 1997. I looked forward to it every week when a bit of New York was delivered to my mail slot.

The quote above is from a 2008 AV Club interview. It's part of a much longer answer to the question, "Did you have a sense of what you were trying to achieve in terms of the drawing?"

I met Feiffer briefly at San Diego Comic-Con around 1993 (give or take a year or two), but I was too awestruck to say anything other than what I hope sounded like, "It's an honor."

His description of the hard work of trying to make something that looks effortless resonates with most cartoonists. This August 1974 Feiffer strip about Richard Nixon has been popping up online this week. It shows him to have been a keen observer and a visionary.


Author and historian Michael Tisserand wrote a wonderful appreciation of Jules Feiffer discussing ten ways he changed comics and culture. I recommend it.



Bizarro reader Patrick G. shared this dashing photo of actor and director Toshiro Mifune (1920-1997).



Mifune is widely considered to be one of the greatest actors of all time. He is best known for collaborating with director Akira Kurosawa on sixteen films. Over his long career, he appeared in over 170 movies.

Thanks to Patrick G. for the photo (and some enjoyable discussion of music we love).



Now, we shall see whether I had any luck and was persistent enough in creating this week's cartoons.



One should be thankful for finding common ground with others.



The caption came from a typo, and I devised the gag to set it up. I like the drawing and dialog, and now I wonder if the caption could have been eliminated.


In fairness to the unnamed sailor, the prosthetic probably looks like a leg to him, and besides, it would provide better stability on board a ship.



Nobody likes a know-it-all.

In an earlier sketch version, the text was, "This is why I wear cardigans," but the skewed reference to a turtleneck felt more satisfying.


We're reasonably certain that we used the correct spelling of "BEE-yoop."

Where's Charlie Callas when we need him?



These ghost cartoons take a bit less time to draw than my usual panels. Maybe I should do a whole week of them. 

Or not.
 


Bonus Viewing

Jules Feiffer's Munro



This animated short won an Academy Award in 1960. It was directed by Gene Deitch (1924-2020) and features the voice of comedian Howard Morris. Munro's voice was provided by the director's son, Seth Deitch. Seth and his brothers Simon and Kim are well known for their work in underground comics.


Bizarro Bonanza

If you like what we do and appreciate that it's free of charge, we encourage you to explore the following links.

Copyright© 2025 by Wayno®   

Saturday, January 18, 2025

Variations on a Theme

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend Dan Piraro created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno


A cartoonist is someone who draws the same thing day after day without repeating himself.
Charles M. Schulz

When creating this week's Bizarro cartoons, I lived what Schulz meant. I'd scribbled a punning caption in my sketchbook and started riffing on the idea, eventually coming up with sixteen candidates for gags featuring a famous cinematic vampire.

I thought it might be an interesting experiment to attempt an entire week of structurally similar gags without being repetitious. If every panel were simply a drawing illustrating the caption, it would have quickly become tiresome. After discussing the idea with Dan Piraro, we decided each installment would need an additional layer of humor. That caused me to look at the ideas differently and helped me eliminate some and choose those with the potential for something besides the captions.

I hadn't planned to do a "theme week," but once I began working on these, I couldn't think about anything else and decided to go for it. After getting the Nosferatu jokes out of my system, I could write unrelated gags in subsequent weeks.

Your thoughts on this weird detour are welcome.



My colleague Jonathan Lemon (a cartoonist and former UK pop star) sent me this absurdist drawing by Albert Hurter, a "sketch artist" who worked for Walt Disney Productions from 1931 until he died in 1942.




Hurter wasn't an animator but was hired to spend his days drawing whatever he felt like. His sketches served to inspire Disney animators. He also worked as a designer on many Disney films, including Snow White and the Seven Dwarfs, Fantasia, Dumbo, and Pinocchio.

Thanks to Jonathan for the pipe pic and the education. Although I wasn't familiar with Hurter's name or his work, I enjoyed learning about him.



If you can stand it, here are the Vampyre Week Bizarro panels.



I chose to run this one first because the caption sounds nearly identical to the name Nosferatu, and it sets the tone for the remaining gags.


This was the first one I wrote, triggering the avalanche of wordplay in my head.


I was hesitant to do "Nosferatoon." I cringe when I hear cartoons referred to as "toons," and I dislike the prefix or suffix "toon." It grates on me as trivializing and infantilizing the art form. However, I found it appropriate here, as the character is meant to be ridiculous. And he was fun to draw.



Clearly, this skull was simply an orthodontic oddity since vampires can't be photographed (unless X-rays are an exception). Also, when they're killed—excuse me, slain—I believe they either go up in smoke or crumble into dust.


In the past, my attempts at representing X-rays were unsatisfactory, but I'm happy with the latest one. The broken lines throughout the image would have been difficult to do with ink, requiring precise application of white-out. The effect was easier to achieve using digital drawing tools and switching between black and white "ink."

[Here endeth the nerd talk.]

See previous X-ray gags here, here, and here.


I must thank my ever-patient editor, JB, for advising me that we can indeed use "bleedin' prat" in a newspaper comic.

I didn't try to submit "wanker," but almost tried "tosser."


I held "Nosferatoque" for last because some readers (especially fellow Yanks) might not be familiar with the pronunciation of the word "toque," but after the previous five gags, they'd fall right into it.

That's nearly the end of my vampiric experiment. I have one more up my sleeve, but I postponed it until March.

This week's Substack newsletter includes the complete list of ideas I pulled from and a couple of rejected sketches. It's free to read or subscribe.
 


Bonus Track

Jesus Couldn't Drum: 
"Caught in a Dream"
Live in Florence, Italy, 1986


I'm reasonably sure that's Jonathan Lemon behind the keyboard.


A Bounty of Bizarro Booty

If you like what we do and appreciate that it's free of charge, we encourage you to explore the following links.