Saturday, April 11, 2026

Bang Zoom

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend, Dan Piraro, created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno 



Happy Saturday, O cherished cartoon community.

I have no pithy intro or inspiring quote to offer today, so I'm skipping ahead to our pipe pic of the week. It's a screen grab from the "Save It For Later" music video by The [English] Beat.


Canadian Bizarro field correspondent Petri V sent the image and noted:
The song came up in the news recently, and I watched the video and found this image of a woman with a pipe looking at an album cover with a friend. From your blog posts, I know that you are more than just a little bit interested in music, so I thought I would share it with you.
The 1982 music video features the band performing at a tiny subterranean club for an audience of blasé hipsters, who are eventually won over by the catchy tune. I'm reasonably certain that the gentleman in the beret is not my partner in comics, Dan Piraro.

Naturally, I had to determine what that album was and found that it was a 1960 compilation of songs by French performer Juliette Gréco, released in the US and Canada.

A tip of the the cocoanut straw porkpie to Petri for the image and for reminding me how much I like that song.


If you're as overwhelmed by current events as your cartoonist, perhaps you'd like to visit this week's cartoons for a few moments of escape.

From the day I wrote this gag until I uploaded the file for publication, I ping-ponged between using "would" and "could" in the dialogue. The difference is subtle, and a case could be made for either word. If we didn't have deadlines, I'd most likely still be wavering.

One imagines that authors would be grateful if this sort of thing were limited to a couple of hours per day.

When sequencing a week of cartoons, I schedule my favorite for Friday, but now I think this gag is the strongest in the batch. I like the drawing, and the joke takes an extra beat or two to land. Also, the panel references a familiar character without showing him or even mentioning the name.

My newsletter for the week goes into detail about formatting the panel and strip versions of this gag, for those interested in the nuts and bolts.

In its original 1950s incarnation, kids were expected to use actual potatoes to play with this toy, and the potato was literally just the head.

The plastic facial features and hats were backed with sharp spikes. Potato Head-related injuries must have been common in those days.

Friday's highbrow/lowbrow gag is notable for its reduplicative caption and is based on fuzzy memories of impressionists on variety shows. It seems that phrases such as "It goes something like this" were mandated by the FCC.

The week ends with a play on two meanings of "orientation."

Thanks for dropping by. Come back again next Saturday for another six-pack of pictures with words. 

Please feel free to add your comments. I enjoy hearing from you!


Bonus Track

Todd Rundgren: "Onomatopoeia"
From Hermit of Mink Hollow
Bearsville Records LP, 1978


Rundgren made all of the noises on this album by himself.


Saturday, April 04, 2026

Twenty Thousand Leagues Under the Sauce

This is the weekly dispatch from Bizarro Studios North, where I have been writing and drawing the Monday through Saturday Bizarro comics since 2018. My partner and friend, Dan Piraro, created Bizarro in the late twentieth century and continues to do the Sunday comic from Rancho Bizarro in Mexico.

Wayno 


A sense of humor is the ability to understand a joke, and that the joke is oneself.

Clifton Fadiman


I hope you survived April Fools' Day with your dignity and sense of humor intact, and someone pranked you, it was good-natured rather than mean-spirited.


Today's pipe pic is either Dave Meyers or Louis Meyers of the Aces blues band. I've seen another photo of Louis with a pipe, so I'm inclined to believe this is Louis in the photo, but I can't say for sure.

 
The brothers were both guitarists, but Dave eventually switched to electric bass. The four-piece group often backed up well-known blues musicians such as Little Walter, Otis Rush, and Eddie Boyd.

My friend Dave Molter, a musician, journalist, and all-around good egg, sent me the photo, which also included this excerpt from an interview with Dave Meyers:

My brother Louis and I tend to be thought of as cotton-field bluesmen. We really rocked the city. When we started here in the 1940s, it was all about big bands and swing music. We hung out a lot with a guy named Lee Cooper, who played swing. He got us excited about music, told us to get into it, to learn it, and sent us to this department store—Lyon and Healy, it was called—where lots of good teachers left their contact information.


And that's how we started. We practiced scales, learned to play little by little. When the Aces were launched, we were untouchable in Chicago. We were among the very first in town to put pickups on our guitars, in 1945. And we must have been the first here to play Gibsons. I had this old L-5 until a fat lady sat on it. And I was the first guy in town to play electric bass. The first Fender Precision bass that came to town, at the 18th and Halsted store, they passed it to me. They said, "We know you know how to play this, take it and see what you can do with it." After that, the Fender guys came along with the first portable amp we ever saw in Chicago. When I started with that thing, everyone was blown away. I'd strap this damn thing on my back, we'd go, and everywhere I went, I'd make fun of the double bass players. We played against big, big swing bands with horns, and all we had was our guitars and harmonica. We'd smash them right there. The guys were completely blown away. It was something else. Everyone in town was afraid of us.

Thanks to Dave for the photo history lesson. I recommend Dave's Substack column, Handbasket to Hell.


The Secret Symbols are back on the job after a week of sick leave, so let's see if we can find them in the latest cartoons.

I've done six of these "What's Your Jam?" multi-panel gags and have probably squeezed as much as possible from the format.

It's a rare occurrence for 13-year and 17-year cicadas to emerge at the same time, but when it happens, the buzzing is mixed with wisecracks.

I'm generally not a fan of practical jokes, but I usually include a phony symbol count on April Fools' Day. I also try to hide the actual count somewhere in the art.

This cartoon is the 2,577th I've drawn since I started doing the Monday-through-Saturday gags.

My drawing of the orange submarine was based on Chinese deep-sea submersibles that were used for many diving missions around the world.

I wrote and drew this panel in January, weeks before the (current) war in Iran began, and it was not meant as a comment on future events, and I'll refrain from referring to any actual sock puppet in this blog.

What would be worse than working with someone who repeats the same joke every day?


This week, we averaged 3.83 Secret Symbols per day. Not too shabby.


Thanks for dropping by the old blogeroo. See you again next Saturday.


Bonus Track

Bill Ramsey: "Yellow Submarine"
Polydor Records (Germany) single, 1966


Alas, my copy of this single doesn't have the picture sleeve, which is more entertaining than the recording.